What's more surprising is that the CS80 is still revered amongst keyboard players more than 25 years later. To understand this, you have to realise that the CS80 sounded, and still sounds, wonderful. It has a timbre that is quite different from the rash of polysynths that followed, and no Prophet, Oberheim, Jupiter or Memorymoog was ever able to recreate its distinctive character. In fact, with the exception of its cut-down siblings, the CS60 and CS50, nothing sounds like a CS80. Until the arrival of Arturia's software emulation, CS80V, that is...
arturia cs 80v keygen software
Just as with Minimoog V review, it seems sensible to compare the various parts of CS80V 's signal path with the real thing (in this case, a mint, tuned and stable CS80), and assess how close an emulation it is, before considering it as a software instrument in its own right. Let's start, as in most SOS synth reviews, with...
Comparing the filter response to the original, we found that the maximum amount of frequency sweep on CS80V is much greater than on the original synth. This is good, because you can always get close to the CS80's response by tempering the contours appropriately. Likewise, at 20 seconds, the longest Attack and Decay times are much longer on the software synth, as is the maximum Release of 30 seconds.
Remarkably, given the differences we've noted, CS80V is capable of recreating this sound. We set up the CS80 correctly, playing it through a Quadraverb to imitate the software synth's delay, and then set the controls identically on CS80V. The calibrations of the controls were different, but with perseverance, we were able to make the two almost identical, swapping between them without any perceptible change in the sound. We were less successful at recreating the beautiful strings that were also a strong point on the original CS80; there seemed to be no way to get CS80V to recreate simultaneously both the cut and warmth of the original. On the other hand, setting the PWM mode to 'Free' and patching a traditional saw+PWM ensemble patch resulted in a new range of textures that you could never have coaxed from an original CS80. The same was true when using the 24dB-per-octave filter settings... new sounds poured forth, although you could no longer describe them as particularly CS80-like. Overall, we'd have to say that the sound of CS80V is a winner.
Unfortunately, when using CS80V to playing real music rather than being analysed in an academic fashion, more faults revealed themselves. For example, when you assign filter keyboard tracking in the modulation matrix on the Mac version of CS80V, each synth voice plays with the filter settings applicable to the previous note. This means that if one of the voices is allocated to a low note followed by a high note, the resulting sound is far too dull. Conversely, if a high note is followed by a markedly lower one, the sound is excessively bright. And the more we played, the more the signal path distortion/overload problems mentioned earlier began to vex us. Aside from the audio overloads, the program proved to be quite CPU-hungry, and despite both test machines being well above the suggested minimum specification, it proved easy to create the tell-tale audible signs of the software running out of processor power.
Finally, we had some concerns about the stability of the stand-alone Mac version of CS80V. While using this, we occasionally needed to change the I/O settings in the configuration window. This would work the first time, but a second invocation of the window would cause the program to crash. Saving and loading patches in the stand-alone Mac version also caused numerous crashes, sometimes leaving the CS80V engine running in the background, but with no user interface or other means to silence it other than OS X's 'Force Quit' command. Of course, Arturia can't test every possible configuration on which their software will be run, but if we had problems with our thoroughly ordinary test G4, so can other users.
The graphics are stunning and very evocative of the original machine. However, this instrument, perhaps more than others, may lead you into the hardware emulation debate where you wonder if a little poetic license with the design would improve software operation. For example, the oscillator waveforms are selected with two rocker switches and a slider. While this is like the original, it would be far clearer to use a single multi-position slider, for example.
There once was a 200 pound beast of a classic analog synthesizer usedand coveted by some of music's greatest players and synthesists sincethe 1970's. That synth, almost impossible to find and afford in stableworking condition these days, is known as the Yamaha CS-80. It wasYamaha's flagship polyphonic analog synthesizer during it's hey-day, andnow it can be yours thanks to Arturia. Arturia has developed "TAE" -"True Analog Emulation" which they have employed in their Minimoog V andMoog Modular V software synthesizers and now, in the CS-80V as well. TheCS-80V is available for Mac or PC and is compatible with all majorformats (VST, DXi, Audio Units, MAS, RTAS, HTDM, and more).
The CS-80V is a brilliant and faithful recreation of the original CS-80in looks and sound, with a few welcome additions that make the CS-80Veven better than the original, and at only a mere fraction of theCS-80's original and current second-hand prices! Some of these newfeatures include additional LFO's, an Arpeggiator, Stereo Delay, aflexible Modulation Matrix, and most importantly - MIDI Sync options!Arturia's "TAE" sounds wonderful and the CS-80V sounds very warm andanalog. Visually, the CS-80V is very large (1024x768 resolutionneeded) but beautifully recreates the front panel of the original CS-80,complete with 61-note keyboard, ribbon controller; it even has virtualbuilt-in spinning fans which are an instant turn-on for any softwaresynth freak!
Arturia's CS-80V is a must have software synth for anyone looking fora very warm and very classic analog sound. Everything about the original CS-80,even its quirks are recreated here with stunning detail and sonic quality.Few software synthesizers offer such warm analog sounds as well asthe chance to learn about the unique and classic instrument that put Yamahaon the map of analog synthesizers.
Built as a reproduction of the Yamaha CS-80 polyphonic analog synthesizer which was very popular back in the 70s, CS 80V is a comprehensive software application that enables you to generate sound electronically.
ASC is the central software that elegantly manages all your Arturia software licenses. It activates your licenses and synchronizes them across multiple devices (you get five instances with each instrument license). ASC also notifies you of updates and downloads them. You can even easily learn about new products, download demos versions and purchase the full products. Simple.
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